A hushed mystery has descended upon the Basilica of San Lorenzo in Lucina, Rome. A newly revealed face within a restored fresco has ignited a quiet storm of speculation and an official investigation.
The face, undeniably cherubic, bears a striking resemblance to Italy’s current Prime Minister, Giorgia Meloni. It appears within a fresco honoring King Umberto II, depicting a gathering of angels, and its placement is far from accidental.
The cherub is portrayed in a distinctly deferential pose, bowing towards the king. This subtle detail has fueled interpretations suggesting a commentary on Italy’s historical rejection of the monarchy following World War II, a monarchy deeply entwined with the legacy of Benito Mussolini.
Church officials were initially unaware of the alteration. They confirmed a restoration project had been underway since 2023, but insisted no changes or additions were authorized. The transformation of the cherub’s face, they stated, was the independent initiative of the decorator, undertaken without their knowledge.
The diocese of Rome swiftly issued statements emphasizing their dedication to preserving both artistic and spiritual heritage. They firmly asserted that sacred art should not be exploited or misused, but rather serve liturgical life and personal devotion.
Bruno Valentinetti, a local craftsman involved in the restoration, publicly dismissed the comparison to Meloni, stating he sees no likeness between the painting and the Prime Minister. His opinion, however, has done little to quell the rising debate.
In a surprising move, Prime Minister Meloni herself addressed the controversy with characteristic humor. She shared a photograph on social media with the caption, “No, I definitely don’t look like an angel,” accompanied by a laughing emoji.
Father Daniele Micheletti, while acknowledging the practice of artists depicting real individuals in their work, distanced himself from the fresco’s alteration. He clarified that he is not responsible for the basilica’s decorations and had no involvement in the painting.
The Basilica of San Lorenzo in Lucina holds a significant place in Roman history, consecrated in the 5th century by Pope Sixtus III and situated near the famed Spanish Steps. Its walls have witnessed centuries of faith and upheaval.
The basilica suffered extensive damage during World War II, resulting in the loss of numerous frescoes during the wartime raids. This recent incident adds another layer to the basilica’s complex and captivating story, a story now interwoven with the image of a prime minister and a controversial angel.
